{"id":14,"date":"2017-03-20T14:44:43","date_gmt":"2017-03-20T13:44:43","guid":{"rendered":"http:\/\/www.benjamincaillaud.fr\/?page_id=14"},"modified":"2025-05-03T09:37:50","modified_gmt":"2025-05-03T07:37:50","slug":"contact","status":"publish","type":"page","link":"http:\/\/www.benjamincaillaud.fr\/index.php\/contact\/","title":{"rendered":"BIO"},"content":{"rendered":"

Benjamin Caillaud articule son travail autour de deux axes : paysages et ressources des littoraux. Son exercice photographique de style documentaire se veut r\u00e9solument \u00e0 hauteur d\u2019homme et sensible \u00e0 l\u2019ordinaire. S\u2019inscrivant dans une intimit\u00e9 territoriale forte \u00e9vitant le pittoresque, il convoque dans son travail la m\u00e9moire de l\u2019usage des lieux. Il privil\u00e9gie les longues marches \u00e0 pied sur le littoral et photographie, en partie immerg\u00e9, dans la zone situ\u00e9e entre les limites extr\u00eames des plus hautes et des plus basses mar\u00e9es appel\u00e9 \u00ab estran \u00bb. Le choix d\u2019une \u00e9criture au long cours le conduit \u00e0 s\u2019exprimer sous la forme d\u2019expositions et de publications.<\/p>\n

Il est dipl\u00f4m\u00e9 d\u2019un Master de sciences humaines en 2002. Attentif \u00e0 la question de la repr\u00e9sentation d\u00e9mocratique en Europe et en Am\u00e9rique du Nord, il vit en Allemagne, Italie et Turquie puis part aux Etats-Unis en 2008 pour suivre toute la campagne pr\u00e9sidentielle de Barack Obama.<\/p>\n

En 2010, le traumatisme du passage de la temp\u00eate Xynthia sur les c\u00f4tes charentaises marque un point de bascule dans sa pratique de photographe et l\u2019oriente vers les th\u00e9matiques littorales. Docteur en histoire, il est sp\u00e9cialiste de l\u2019\u0153uvre du photographe et \u00e9diteur de cartes postales des Charentes Fernand Braun (1852-1948). A la faveur de l\u2019\u00e9pid\u00e9mie mondiale de COVID_19, il explore de nouveaux rapports \u00e0 la plage et \u00e0 l\u2019espace littoral. Depuis les ann\u00e9es 2020, il collabore comme artiste \u00e0 des programmes de recherche et de valorisation scientifiques li\u00e9es aux recompositions des rivages atlantiques dans le contexte de la d\u00e9rive climatique globale.<\/p>\n

Benjamin Caillaud articulates his work around two axes: landscapes and coastal resources. His documentary-style photographic exercise is resolutely at the height of a man and sensitive to the ordinary. As part of a strong territorial intimacy avoiding the picturesque, he summons in his work the memory of the use of places. He favors long walks on the coast and photographs, partly submerged, in the area between the extreme limits of the highest and lowest tides called \u00ab\u00a0estran\u00a0\u00bb. The choice of a long-term writing leads him to express himself in the form of exhibitions and publications.<\/em>\u00a0<\/em><\/span><\/p>\n

He graduated with a master\u2019s degree in human sciences in 2002. Attentive to the question of democratic representation in Europe and North America, he stayed in Germany, Italy and Turkey then left for the United States in 2008 to follow the entire Barack Obama presidential campaign.<\/em>\u00a0<\/em><\/span><\/p>\n

In 2010, the trauma of the passage of the storm Xynthia on the southwest Atlantic coast of France marks a tipping point in his practice as a photographer and directs him towards coastal themes. Doctor in history, he is a specialist in the work of the photographer and publisher of postcards from the \u201cBelle Epoque\u201d Fernand Braun (1852-1948). Thanks to the global COVID_19 epidemic, it explores new relationships with the beach and the coastal area. Since the 2020′ he collaborates as an artist in scientific research and development programs related to the transformation of the Atlantic shores in the context of global climate<\/span> change.<\/span><\/em><\/p>\n

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\u00a0<\/div>\n
CREATIONS<\/strong>\u00a0\/\/ Projects<\/span><\/em><\/span><\/div>\n
\u00a0<\/div>\n
\u2022 2024-25<\/span> Point d\u2019acc\u00e8s au rivage (Charente)<\/em>, Centre International de la Mer
\u2022 2024-26<\/span> M\u00e9moire de Xynthia<\/em>, Cronos
\u2022 2024-26<\/span> R3 Rivages<\/em>, universit\u00e9 de Bordeaux<\/div>\n
\u2022 2024<\/span> Bunkerausflug<\/em>, D\u00e9pt. de la Charente-Maritime\/Ville de Royan<\/div>\n
\u2022 2020-22<\/span>\u00a0Xynthia + 10, <\/em>CDC de l’\u00eele d’Ol\u00e9ron<\/div>\n
\u2022 2019-21<\/span>\u00a0Chantiers-Gu\u00e9risseurs,<\/em> Les lasses Marennaises<\/div>\n
\u2022 2018-21<\/span> Ostr\u00e9iculture[s], <\/em>CRC Charente-Maritime<\/div>\n
\u00a0<\/div>\n
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EXPOSITIONS\u00a0<\/strong> \/\/ Exhibitions<\/em><\/span><\/div>\n
\u00a0<\/div>\n
Individuelles – outdoor <\/span>\/\/ Individual exhibitions – outdoor<\/span><\/em><\/div>\n
2021<\/span><\/div>\n
\u2022 Ostr\u00e9iculture[s]<\/em>, Grande Plage, estuaire de la Charente, Port-des-Barques<\/div>\n
\u2022 Ostr\u00e9iculture[s]<\/em>, port de la Cayenne, estuaire de la Seudre, Marennes<\/div>\n
2019<\/span>
\u2022 Ostr\u00e9iculture[s]<\/em>, fa\u00e7ades de la pr\u00e9fecture de la Charente-Maritime<\/div>\n
\u2022 Ostr\u00e9iculture[s]<\/em>, pointe du Chay, estuaire de la Gironde, Royan<\/div>\n
\u2022 Chantiers-gu\u00e9risseurs<\/em>, itin\u00e9rance par bateau \u00e0 voile, Charente-Maritime<\/div>\n
2018<\/span>
\u2022 Ostr\u00e9iculture[s]<\/em>, esplanade de la citadelle du Ch\u00e2teau-d\u2019Ol\u00e9ron<\/div>\n
\u00a0<\/div>\n
Individuelles – indoor \/\/ Individual exhibitions – indoor<\/span><\/em><\/span><\/div>\n
2014<\/span><\/div>\n
\u2022 Avec vue(s) sur la mer<\/em>, Galerie Bernard Jean, Caraquet (Canada)<\/div>\n
2011<\/span>
\u2022 Xynthia, le jour d\u2019apr\u00e8s<\/em>, mus\u00e9e de l\u2019\u00eele d\u2019Ol\u00e9ron, Saint-Pierre-d\u2019Ol\u00e9ron<\/div>\n
\u2022 Xynthia, le jour d\u2019apr\u00e8s<\/em>, Corderie royale, Rochefort-sur-Mer\u00a0<\/div>\n
\u00a0<\/div>\n
Collective – indoor \/\/<\/span> Collective exhibition<\/em><\/span><\/div>\n
\u00a02019<\/span><\/div>\n
\u2022 Andante –\u00a0ou la r\u00e9v\u00e9lation Virilio<\/em><\/div>\n
Captures, centre d\u2019art contemporain de Royan<\/div>\n
\u00a0<\/div>\n
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\u00a0<\/div>\n
OUVRAGES ET CATALOGUES<\/strong>\u00a0\/\/ Books and catalogues<\/em><\/span><\/div>\n
2024<\/span>
\u2022 Les travailleurs de l\u2019estran<\/em>, texte d\u2019Allain Glykos<\/div>\n
Atlantique & l’Escampette, Poitiers
2022<\/span>
\u2022 Xynthia + 10<\/em>, texte de Thierry Sauzeau<\/div>\n
\u00c9ditions Le Local, Saint-Pierre-d\u2019Ol\u00e9ron
2019<\/span>
\u2022 Chantiers-gu\u00e9risseurs<\/em>, Le couloir de Camille, Niort<\/div>\n
2015<\/span><\/div>\n
\u2022 Fernand Braun, photographe des Charentes<\/em><\/div>\n
Presses Universitaires de Rennes, Rennes<\/div>\n
\u00a0<\/div>\n
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ENSEIGNEMENT A L’UNIVERSIT\u00c9 \/\/ <\/strong>University teaching<\/em><\/span><\/p>\n

Histoire de la photographie et esth\u00e9tique de l\u2019image photographique<\/span><\/p>\n

\u2022 Laboratoire CRHIA, une esth\u00e9tique photographique de la temp\u00eate, La Rochelle Universit\u00e9 \u2022 Laboratoire CRIHAM, l\u2019historien et la photographie, universit\u00e9 de Poitiers \u2022 Dipl\u00f4me Universitaire histoire de l\u2019art, histoire de la photographie, La Rochelle Universit\u00e9 \u2022 Licence de lettres modernes, litt\u00e9rature et photographie, La Rochelle Universit\u00e9 \u2022 Master Histoire et Repr\u00e9sentation des Paysages, universit\u00e9 de Poitiers \u2022 Master Images, Documentaire, Contenu Num\u00e9rique, La Rochelle Universit\u00e9 \u2022 Master M\u00e9moires, Patrimoine, Territoires, La Rochelle Universit\u00e9.<\/p>\n

Exposer la photographie<\/span><\/p>\n

\u2022 Master D\u00e9veloppement Culturel de la Ville, La Rochelle Universit\u00e9 \u2022 Master Direction de Projets ou \u00c9tablissements Culturels, La Rochelle Universit\u00e9 \u2022 Master Histoire, Civilisations et Patrimoine, universit\u00e9 de Poitiers.<\/p>\n

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\u00c9DUCATION ARTISTIQUE ET CULTURELLE \/\/ <\/strong>arts & cultural education<\/em><\/span><\/p>\n

\u2022 Universit\u00e9 Bordeaux-Montaigne, La Rochelle Universit\u00e9 \u2022 Lyc\u00e9es fili\u00e8re g\u00e9n\u00e9rale : Cordouan (Royan), Bellevue (Saintes), Saint-Exup\u00e9ry (La Rochelle), Merleau-Ponty (Rochefort), Victor Hugo (Poitiers) \u2022 Lyc\u00e9es fili\u00e8re professionnelle et technologique : Saint-Joseph (Bressuire), Palissy (Saintes), de l\u2019Atlantique (Royan), Gilles Jamain (Niort), Les Grippeaux (Parthenay), de la mer et du littoral (Bourcefranc-Le Chapus), Gaston Chaissac (Niort). Coll\u00e8ge Jean Hay (Marennes) \u2022 \u00c9coles primaires les Marronniers (Trizay), Edouard Herriot (Bourcefranc-Le Chapus), Henri Seguin (Saint-Trojan-les-bains) \u2022 Locaux Jeunes du bassin de Marennes \u2022 Service culture et patrimoine, Royan.<\/p>\n

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EXPOSITIONS AVANT 2010 \/\/\u00a0<\/b>Exhibitions before 2010<\/b><\/span><\/em><\/p>\n

2009<\/span> Citizen Ben<\/em><\/strong> (campagne Obama 2008) \u2022 Biblioth\u00e8que universitaire, La Rochelle \u2022 Festival Barrobjectif \u2022 Maison des photographes, Paris. 2008<\/span> Love, etc. <\/em><\/strong>\u2022 Plage de la Grande Conche, Royan \u2022 Le Pilori, espace d\u2019arts visuels, Niort 2007<\/span> Retour sur CPE \u2022 <\/em><\/strong>Facult\u00e9 arts et sciences humaines, La Rochelle \u2022 <\/b>Festival intergalactique de l’image alternative, Brest \u2022 Nouveau Th\u00e9\u00e2tre du 8\u00e8me, Lyon 2006<\/span> Graphumanisme \u2022 <\/em><\/strong>Institut fran\u00e7ais d’Istanbul (Turquie) \u2022 Abbaye de Trizay<\/p>\n

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<\/div>\n
Courriel<\/strong> : caillaudb[at]yahoo.fr<\/span><\/div>\n
Artiste-Auteur –\u00a0SIRET<\/strong>\u00a0: 494 609 076 000 18<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n

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Benjamin Caillaud articule son travail autour de deux axes : paysages et ressources des littoraux. Son exercice photographique de style documentaire se veut r\u00e9solument \u00e0 hauteur d\u2019homme et sensible \u00e0 l\u2019ordinaire. S\u2019inscrivant dans une intimit\u00e9 territoriale forte \u00e9vitant le pittoresque, il convoque dans son travail la m\u00e9moire de l\u2019usage des lieux. Il privil\u00e9gie les longues […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.benjamincaillaud.fr\/index.php\/wp-json\/wp\/v2\/pages\/14"}],"collection":[{"href":"http:\/\/www.benjamincaillaud.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.benjamincaillaud.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.benjamincaillaud.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.benjamincaillaud.fr\/index.php\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":65,"href":"http:\/\/www.benjamincaillaud.fr\/index.php\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":1274,"href":"http:\/\/www.benjamincaillaud.fr\/index.php\/wp-json\/wp\/v2\/pages\/14\/revisions\/1274"}],"wp:attachment":[{"href":"http:\/\/www.benjamincaillaud.fr\/index.php\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}